
Although the industry is generally aware of ceramic, very few brands have truly introduced ceramic materials into leather hardware.
As a manufacturer that has long served international brands in metal and new-material components, YIBI has clearly felt in the past two years that more and more design teams are showing interest in “Ceramic,” yet projects that actually apply Ceramic to leather hardware are still in their early stages.
From our co-explore with brands, we have identified several key observations:
Most designers know Ceramic are used in:
But when it comes to leather hardware, they ask us:
→ This shows that market interest is rising, but leather-specific ceramic solutions are lacking.

Zirconia Ceramic are not traditional clay pottery, but a class of high-performance industrial Ceramic developed through modern materials science.
Their core material is refined zirconia powder, which is stabilized and then sintered at high temperatures to form a structural material with high strength, high hardness, wear resistance, and corrosion resistance.
Zirconia was initially used in medical devices, cutting tools, and precision machinery—fields requiring extremely high durability and strength. In recent years, it has also entered the consumer goods sector, being applied to watches, jewelry, and bag hardware that require high aesthetic quality and material stability.”
After sintering, zirconia achieves extremely high hardness and can be polished through precision grinding to obtain a gemstone-like luster. Like all Ceramic, it naturally resists corrosion and never rusts, maintaining exceptional stability in both appearance and durability over long-term use.

From both manufacturing and design perspectives, ceramics offer significant advantages in leather hardware:
Additionally, Ceramic PVD (Physical Vapor Deposition) is a processing method often overlooked by brand designers and product developers. By depositing a PVD thin film onto the ceramic surface, it can achieve a metal-like texture while further enhancing the wear resistance and surface hardness of the hardware. This ensures that high-touch areas remain flawless even after prolonged use, providing brands with greater durability and reliability. The hardness of ceramic with PVD coating is 3–5 times that of stainless steel.

Although Ceramic have processing limitations, choosing the right positions and component types in bag hardware can avoid these drawbacks and maximize their advantages.
Additionally, Ceramic PVD (Physical Vapor Deposition) is a often-overlooked processing method. By depositing a PVD thin film onto the ceramic surface, it can further enhance the wear resistance and surface hardness of the hardware while maintaining the original luster and texture of the ceramic. This ensures that high-touch areas of the hardware remain flawless even after prolonged use, providing brands with greater durability and reliability.

With the consumer and brand trends shifting from 2023 to 2025, we have observed a clear movement from our work with international brands: the leather goods industry is seeking new material languages and differentiated carriers.
For the past decade, bag hardware has relied heavily on metal — visually direct, mature in processing, and cost-predictable. Now brands face three emerging needs:
Luxury brands are increasingly looking to establish their own “material memory”, such as:
Titanium → technological and futuristic
Carbon fiber → lightweight and high-performance
Similarly, the leather goods industry needs a material capable of telling a dual narrative of “technology + aesthetics.”Engineered ceramics, especially zirconia, naturally offer this potential:
Stability and high performance
High safety with no chemical reactivity
Unique optical qualities (soft glow, jade-like texture)
A built-in language of precision, luxury, and technology
This potential has already been validated in high-end jewelry and watches. For example:
The Chanel J12 watch series uses high-tech ceramic for its case and bracelet, representing the brand’s “modern elegance.”
In jewelry, Louis Vuitton, Dior, Bvlgari, and Cartier have all incorporated black and white ceramic elements into select high jewelry collections, expressing a minimalist, modern, and lightly technological design language.
These brands demonstrate that ceramics can build a distinctive material narrative and cultivate consumer recognition of high-performance non-metal materials.
Today, the leather goods industry is entering a similar window of opportunity —
many design teams want to explore new-material storytelling, but lack a mature supply chain to support small-batch development.
This is exactly the gap that YIBI fills.
High-gloss metal finishes are no longer preferred by all consumers. Aesthetic trends shift toward:
Ceramics’ natural matte and delicate luster (especially zirconia) align perfectly with this “soft aesthetic,” and even appear more futuristic than metal. Thus, ceramics do not replace metal — they meet a new aesthetic need that metal cannot express.
Whether luxury bag buckle or wearables, scratches, fading, and oxidation are common issues. Ceramics offer a different solution:
This satisfies the strong market demand for “long-lasting beauty,” especially among mid- to high-end brands.
In short: The market is looking for a material that can “tell a story, fit emerging aesthetics, and remain durable long-term.” Ceramic happen to meet all three.
However, due to processing challenges far greater than metal, industry adoption is slow. This is why — Everyone is interested, but few brands have achieved real mass production of ceramic leather hardware.
YIBI is transferring its zirconia ceramic expertise from jewelry into leather components to explore new trends:

Ceramic are not new to YIBI.
In our early years, we began with ceramic jewelry. At the time, the industry had extremely limited zirconia processing capabilities — sintering cracks, unstable dimensions, and uneven polishing were common issues.
YIBI spent years working with material scientists, mold engineers, and craftsmen to refine powder formulas, mold precision, and every polishing pathway, achieving strict standards in ceramic dimensional accuracy, polishing consistency, and sintering yield.
Many senior craftsmen still at YIBI grew alongside ceramic production — They created watch bracelet links, jewelry components, and bag-chain accessories; made ceramic components within 2mm; produced rings requiring over ten grinding steps; and re-fired failed sintering samples late into the night.
This “ceramic jewelry era” gave YIBI advantages that are hard to replicate:
Therefore, when discussing the potential of Ceramic in leather hardware, we are not starting from zero — we bring over a decade of ceramic experience into a new field.
Will Ceramic, like stainless steel once did, become a new material in the leather goods industry?
Will they bring a new tactile language to high-end bags in the next three to five years?
Will brands be willing to invest longer validation cycles for material innovation?
As metal becomes increasingly homogeneous, can Ceramic become a point of differentiation?
There are no standard answers, but the trend is clear: Material innovation is becoming the next starting point of brand competition, and YIBI is actively exploring the possibilities of applying Ceramic in leather hardware.